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Literature Without Labels

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May 2021 | Issue #9

triptych for Alams for Cleaning Out the Painter's House
“Alams for Cleaning Out the Painter’s House” by Charlotte Friedman
triptych for Snake Fence
“Snake Fence” by Tamara Best
triptych for While Looking for Eating Utencils in my Uncle's Kitchen
“While Looking for Eating Utensils in My Uncle’s Kitchen” by Lisa Creech Bledsoe

We write to taste life twice, in the moment and in retrospection. —Anaïs Nin

Editor’s Note
Makers


April 2021 | Issue #8

“Where Love Will Need No Proof” by Kitty Jospé
“After You’ve Saved a Life” by Jonie McIntire
“A Brief History of Blue” by Dawn Denham

The line of words fingers your own heart. It invades arteries, and enters the heart on a flood of breath; it presses the moving rims of thick valves; it palpates the dark muscle strong as horses, feeling for something, it knows not what. —Annie Dillard

Editor’s Note
Makers


March 2021 | Issue #7

triptych for The Shut In
“The Shut-In” by Erica Kent
triptych for Reduction
“Reduction” by Danielle Joffe
“My New York Accent” by Anne Myles

My sufferings are part of my self and my art. —Edvard Munch

Editor’s Note
Makers


February 2021 | Issue #6

“A Little Watershed” by Bill Vernon
“There’s Something a Little Wrong with Everything” by CG Miller
“The Night Janet Brought Her Rhymer Home” by Stephanie Friedman

There is just no escaping the fact that there is a tight relationship between the words we use, the type of thoughts we can think, and what we can believe to be true about the world. —Sam Harris

Editor’s Note
Makers


January 2021 | Issue #5

“The Beach Bum and the Midwestern Freshman” by Zebulon Huset
“The Mass of Invisible Labors” by Sarah Twombly
“Sink or Swim” by Heather Diamond

Above all, don’t forget. Commit everything – each blade of grass, each teary-eyed child, each unmarked grave – to memory. Then when you survive and are older, tell your story. —Andrew Lam

Editor’s Note
Makers


December 2020 | Issue #4

“Avian Elegies” by Shannon Bowring
image triptych for A Thing of Beauty
“A Thing of Beauty” by Nancy Jorgensen
triptych for oil spill
“oil spill” by Liam Strong

I think the whole glory of writing lies in the fact that it forces us out of ourselves and into the lives of others. —Sherwood Anderson

Editor’s Note
Makers


November 2020 | Issue #3

original triptych for "coralling"
“Corralling” by Mary Warren Foulk
original triptych for "wish"
“Wish” by W.A. Schwartz
original triptych of "the family dollar"
“The Family Dollar” by Catherine Schmitt

All we have to decide is what to do with the time that is given us. —J.R.R. Tolkien

Editor’s Note
Makers
“Sickly Sweet Companion”


October 2020 | Issue #2

Pioggia triptych
“Pioggia” by JC Reilly
Jumpers triptych
“Jumpers” by Seth Jani
ballad of tribades triptych
“ballad of tribades / song of sodomites” by Hazelle Lerum

Writing is a form of prayer. —Franz Kafka

Editor’s Note
Makers


September 2020 | Issue #1

“Forgive the Form” by Christina Rauh Fishburne

“Three Women Writing Around My Head” by Jefferson Navicky
“We Have Always Been Who We Are” by Sofia T. Romero

Listen to me. All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy and Dostoyevsky. And there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don’t matter. The lake matters. You must keep feeding the lake. —Jean Rhys

Editor’s Note
Makers
Author Q&A with Jefferson Navicky


February 2020 – Sample Issue

triptych for "only now"
“Only Now” by Suzanne Farrell Smith
triptych image for "skinner's wife's box"
“Skinner’s Wife’s Box” by Claire Guyton
“In Its Distance” by Cheryl Wilder

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