Waterwheel Review

Literature Without Labels

Archives for January 2022

By

Who made it? Issue #14

Who made it?

January 2022 | Issue #14

With “idiopathic” (my life has been the medieval military exercise of tilting at a quintain) by Ron Riekki

“Let’s Blast! – Industrial Explosives During Blasting” by Clickmind.
engraving of Christ's head with a single, continuous undulating spiral line over the whole image
“The Sudarium of Saint Veronica” (1649) by Claude Mellan.

With “Movement” by Ace Boggess

“Happy” by Pharrell Williams.

With “Greenwich Origin Story” by Joanna Theiss

“Mad World” by Michael Andrews.
white egret with wings spread out to hover over prey in dark water and overexposed background
Photo of egret by Rex Wilder.

Acknowledgments

Photo of snake eating its tail at Quora.

Illustration that captures Dance of the Planets at Department of Mathematics, Washington University in St. Louis.

Background photo of Mardi Gras mask by Hush Naidoo Jade Photography at Unsplash.

“10 of the Sneakiest, Most Conniving Animals in the World” by Carly Brooke at Featured Creature.

Background photo of young girl’s shadow by Kathas_Foto at Pixabay.

By

From the Editors | Issue #14

January 2022

From the Editors

Truth comes only infrequently and only in flashes. —Pamelyn Casto

screenshot of editors on Zoom call

Truth pushes to the surface from the start of Ron Riekki’s “idiopathic” as well as in “Movement,” by Ace Boggess, two otherwise very different flashes of beauty. The longer “Greenwich Origin Story,” by Joanna Theiss, keeps its truth hidden until the quiet, unspoken end. Each piece signposts radically different human experience, and our companions highlight the contrasts in tone, particularly the two songs. Issue 14 is a game of emotional ping pong. In real life, no thank you. In art? Give me the bounce, the pop, the smash. Give me flight.

—Claire, Suzanne, Cheryl

Join Our Growing Community

We’re just getting started here at Waterwheel Review, and we couldn’t be happier. But we have big dreams. Right now we have two ways—in addition to being an author or maker—to be a part of our labor of love.

1. Sign up for our newsletter.

You’ll know when each issue goes live and learn news about WWR and our authors.

*We promise never to sell or share your information. We hate spam as much as you do. For more info, read our full Privacy Policy.

2. Support literature without labels.

All expenses are out of pocket. Any help goes to our submissions manager and media. We would LOVE to one day pay authors, hold contests, speak at conferences… (slow down, deep breath). Thank you for supporting literature and art!

Support WWR

By

Editor’s Notebook: January 2022

Editor’s Notebook

January 2022

Our final issue of Waterwheel Review’s second year will be May 2022, so we’re still well into our editing season. But here I am, at the end of 2021, and I’m enjoying all the “Best of” articles and lists. I have to jump in! And so… rather than sharing here my usual “Writer’s Notebook”—a spotlight on a publication from our first season—the very occasional “Editor’s Notebook” is born.

See below a year-end spotlight on Waterwheel Review in 2021, plus a few photos just for fun. Future Editor’s Notebook posts will provide a peek behind the editorial curtain.

— Claire Guyton

white woman in red dress with blue flowers in the kitchen chopping mushrooms with black and white cat on her shoulders staring out the window

Best Editor Moment of 2021

Claire: I read Ron Riekki’s revealed cover letter after accepting “idiopathic” (appearing in this issue), and discovered that he had written this piece specifically with Waterwheel Review in mind. That, alone, makes every instant (and cent) devoted to this magazine more than worth it.

Suzanne: While hunting for companion pieces to complement Kate Senecal’s “Nina Simone” (Issue #12, November 2021), I landed on a site devoted to vintage photos of pitbulls and their children. Some 60+ images of kids and dogs, all steeped in loyalty and love.

Cheryl: The version of “Mad World” we’re using as a companion to “Greenwich Origin Story” in this issue is (sorry, Tears for Fears) the only version for me. It’s so beautifully sad. Choosing this song and then Pharrell’s “Happy,” and then experiencing both on the homepage, in all their glorious contrast, was deeply satisfying.

Best Online Piece 2021

Claire: I almost can’t believe how carefully and beautifully Alice Gribbin has articulated this argument about our current, impoverished cultural narrative on art.

fake decorated Christmas tree with angel on top halfway covered by a tree bag

Suzanne: A Covid snapshot that inspires, by Sabrina Hicks.

Cheryl: I found a piece (published in 2020)—poetry as dictionary definition—by Danielle Cadena Deulen and immediately bought one of her books. To me, that warrants making our 2021 list.

Favorite Candid Christmas Pic

Claire: Behold my solution to the problem of owning two cats that see a Christmas tree as a personal mission of destruction. Seven tree-less years preceded the Googling brainstorm that led to this life-transforming purchase. A CHRISTMAS MIRACLE.

Suzanne: My family’s annual search for the “perfect” tree (read, to my husband, right height / right width / right shape / right fullness) was helped this year by three sons (one 9-year-old and twin 7s) who are big enough to help carry the beauty over the river and through the woods.

Cheryl: In March 2021, my family lost both of our elder pets. We adopted “Christmas kittens” the week before Thanksgiving, hoping they would settle in by Christmastime. A successful decision.

white man and son in a cut your own Christmas tree farm on a foggy day