Waterwheel Review

Literature Without Labels

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Who made it? Issue #9

Who made it?

May 2021 | Issue #9

With “Alams for Cleaning Out the Painter’s House” by Charlotte Friedman

abstract landscape painting in progress with paint palette and paintbrushes
Mary Linnea Vaughan painting-in-progress by artist.
artist's studio with abstract apintings, paint palettes, masking tape, desk and chair
Mary Linnea Vaughan studio in Santa Rosa, CA, by artist.
“Fly Lullaby” by Suzanne Farrell Smith.

With “Snake Fence” by Tamara Best

“Harvest Hastings: Splitting a log for a cedar rail fence” by Louise Livingstone.
snake fence
“Untitled” by Billy Piton.

With “While Looking for Eating Utensils in My Uncle’s Kitchen” by Lisa Creech Bledsoe

“Blue Moon of Kentucky” by Bill Monroe.
arrowheads in blue pottery bowl by jar of marbles
Arrowheads in blue bowl by jar of marbles, by author.
Wood wall with ladder up to cupola, by author.

Acknowledgments

Butterfly at rest by Charles J. Sharp via Wikicommons.

Background photo of the O’Hara Mill Homestead via O’Hara Mill Homestead and Conservation Area.

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Who made it? Issue #8

Who made it?

April 2021 | Issue #8

With “After You’ve Saved a Life” by Jonie McIntire

Quidam by Cirque Du Soleil.
abstract digital art with bright orange streak on a black and pink background
Untitled, digital, by Markos Pechlivanos.

With “A Brief History of Blue” by Dawn Denham

“Mississippi River Blues” by Big Bill Broonzy.
steps up to southern porch and front door with haint blue colors
Southern front porch with “haint” blues by author.

Acknowledgments

Retro car with heart by Sergey Peterman from Bigstock.

Background photo of blurred crowd by Brian Merrill from Pexels.

Background photo of rotary phone by 幻影 多媒体 from Pexels.

Background photo of lapis lazuli by Hannes Grobe (CC BY-SA 2.5) via Wikicommons.

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Who made it? Issue #7

Who made it?

March 2021 | Issue #7

With “The Shut-In” by Erica Kent

“Who Can It Be Now?” by Colin Hay.
painting of woman with red hair and a frown, hands on her head and a man with his head tucked into his arm in shame
Ashes, oil on wood, by Edvard Munch.

With “Reduction” by Danielle Joffe

abstract of naked woman with lots of curves from the back
Untitled, digital on iPad, by the author.

With “My New York Accent” by Anne Myles

Street Scene (Hester Street), oil on canvas, 65.5 x 91.1 cm, by George Luks.
“New York City Ambience Sounds” by Nomadic Ambient.

Acknowledgments

“Edvard Munch: Beyond the Scream” by Arthur Lubow, Smithsonian Magazine 2006.

Background photo of house in disrepair by karamush from Bigstock.

“Mitosis vs. Meiosis” and image of a tiny embryo at CK-12.

Background photo of fabric tape measure by newsong from Pixabay.

“Visiting the Lower East Side in 1905” by Dr. Margarita Karasoulas, Assistant Curator of American Art, Brooklyn Museum, and Dr. Steven Zucker, Smarthistory.

Background photo of New York City skyline by Michael Pewny from Pixabay.

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Who made it? Issue #6

Who made it?

February 2021 | Issue #6

With “A Little Watershed” by Bill Vernon

dragonfly on tip of brown spiky plant
Photo of wandering glider dragonfly, in Botswana’s Okavango Delta during its seasonal flood, by Justin Smith.

With “There’s Something a Little Wrong with Everything” by CG Miller

“I Can See Now” by Dead Can Dance.
“I Am Stretched on Your Grave” by Scullion.

With “The Night Janet Brought Her Rhymer Home” by Stephanie Friedman

“Clohinne Winds” by Niamh Parsons.
“Thomas the Rhymer” by Michael Kelly.
portrait of a young woman in the 15th century by Sandro Boticelli
Portrait of a Young Woman, c. 1485, tempera on wood, 61 x 40.5 cm (Pitti Palace) by Sandro Boticelli.

Acknowledgments

Photo of blue heron with crawdad by Andrea Westmoreland via Wikicommons.

“Ovakango: Africa’s Miracle Delta” by Kennedy Warne, National Geographic Society 2009.

Background photo of graveyard by Creaturart from Bigstock.

Background photo of forest by jplenio from Pixabay.