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September 1, 2023 By Claire Guyton

From the Editors | Issue #28

September 2023

From the Editors

Man is least himself when he talks in his own person. Give him a mask and he will tell the truth. —Oscar Wilde

profile of editors Cheryl Wilder, Suzanne Farrell Smith, and Claire Guyton walking down the North Carolina coastline with calm morning waters and a cloudy sky

During our first three seasons, Waterwheel Review existed as a new journal, our attempt to remove genre labels and supplement writing with all the other art we saw fit to print. With the first issue of Season 4, we recognize our longevity and endurance. Time is behind us and in front of us, our constant challenge, our steadfast friend. Season 4 opens with Deborah Adams in “My Bad,” proclaiming, “I can travel any when.” We happily doubt every word that we lap up as we ride a time wave. That wave sends us to a past/future meditation as Michael Waterson (re)introduces us to a laudable flop in “The Conqueror.” Finally, we land in the surreal “Please Advise,” Christine Aucoin’s telling take on what it means to spring from nothing, exist, and suddenly disappear.

—Claire, Suzanne, Cheryl 


Join Our Growing Community

We’re in our fourth season here at Waterwheel Review, and we couldn’t be happier. But we have big dreams. Right now we have two ways—in addition to being an author or maker—to be a part of our labor of love.

1. Sign up for our newsletter.

You’ll know when each issue goes live and learn news about WWR and our authors.

*We promise never to sell or share your information. We hate spam as much as you do. For more info, read our full Privacy Policy.

2. Support literature without labels.

All expenses are out of pocket. Any help goes to our submissions manager and media. We would LOVE to one day pay authors, hold contests, speak at conferences… (slow down, deep breath). Thank you for supporting literature and art!

Support WWR

Filed Under: From the Editors

May 1, 2023 By Claire Guyton

Editor’s Notebook: Look what I just made! On writing Pride.

Editor’s Notebook: Look what I just made! On writing Pride.

May 2023

two hands dirty with multi-colored paint, palms up, fingers spread wide, over bright yellow background

The circle closes. For the second time, I and my co-editors have published our final essay in the 7 Sins of the Writing Life series. With Pride—the good kind, Cheryl tells us, that Aristotle recommends—we conclude our celebration of the collaboration ten years ago that brought us together. Ultimately that collaboration led to the creation of Waterwheel Review, and we’re damn Proud of that.

Cheryl asks: In your writing life, do you experience Pride-as-self-confidence? Or Pride-as-arrogance? Maybe you suffer from Pride-as-undue humility?

I’m not sure if this is a sign of self-confidence or arrogance (it’s definitely not undue humility) but I’m with Aristotle and consider Pride in my work a virtue. Putting my all into everything I write is the key, I think, to why writing keeps me sane. It allows me to put to good use my perfectionism and tendency to ruminate. Of course I’m Proud of that!

Give Cheryl’s essay a read and see where you fall on the Pride scale.

I’ve enjoyed re-reading this series and applying the insights in each piece to my current writing life. Every essay still feels relevant. But in different ways, surely, given how much has changed? To put a bow on this project, I posed a couple of questions about the 7 Sins, now, a decade on, to Cheryl and Suzanne. To be fair, I replied, too.

Which of the 7 Sins has been your biggest challenge since you wrote these essays?

“Lust is equal parts motivator and taunter,” says Cheryl. “I have lusted to create my version of a writer’s life, and I’ve made it happen. But my pursuit has stifled my family’s financial growth. It’s challenging to continue pursuing work that doesn’t pay.”

Suzanne says Gluttony is currently her biggest challenge. “I could produce more drafts if I weren’t so hungry to work over the lines in my current one.” Her writing time is so scarce, having a draft of anything feels lucky, and she can’t let it go. “This one shiny golden draft exists—I can’t even recall how it came to be—and now I want to spend all my writing time digging into it, smoothing it out, expanding, selecting, lengthening, l-e-n-g-t-h-e-n-i-n-g.”

I’m with Cheryl on this one: Lust. In the ten years since we first published the 7 Sins essays, my Lust for All Things Writing Life distracted me too often from my own work. It took the long disruption of the pandemic to teach me that. In the last year, Wrath has been my biggest challenge, as I explain in my answer to the second question below.

Do any of the Sins look different to you now?

Cheryl sees Pride very differently because of the essay she wrote about it ten years ago. “Seeing myself in Aristotle’s ‘undue humble man’ was painful to accept.” Since fully processing that personal revelation, she’s used it to work through the intense feelings of shame that have been central to her poetry. “Shame is stealthier than I ever imagined. The journey has been long, but today, I can say that I’m Proud of the work I’m doing.” 

These days, Envy looks very different to Suzanne. “When we first published the series, I didn’t have a book published. Authors with published books made me Envious.” Now she has three books published herself, and she’s seen how authors get their books published in a surprising variety of ways. “I feel like one of a dedicated crowd, and the Envy has dissolved.”

I have to come back to what I wrote here about Wrath last month. Whenever I’ve experienced Wrath as motivation to write short stories, soon enough the anger was displaced as I became engrossed in the fictional world I created. That’s how I used to experience Wrath in my writing life. But the Wrath that propelled me a year ago into a nonfiction project does not get displaced as I write, it gets examined and re-examined, expressed and elaborated, broken into bits and pieces and then rebuilt. Sitting with all that Wrath can be draining and depressing. The Wrath can take over the prose, too, so I have to be careful about that.

My final 7 Sins sign-off: May you indulge and enjoy all writing sins forevermore. And may you write well today.

In September we kick off our fourth season of this magazine. How that happened, I will never understand, but I couldn’t be more grateful, and I look forward to all the discoveries waiting for us in the fall. For now I leave you with my favorite line from the 7 Sins series, from Cheryl’s essay on Pride: “The writer’s eye never closes.” No, it doesn’t.

—Claire Guyton

Filed Under: Editor's Notebook

March 30, 2023 By Claire Guyton

Editor’s Notebook: Mad and getting madder.  On writing Wrath.

Editor’s Notebook: Mad and getting madder. On writing Wrath.

April 2023

digital art of a stream of fire spitting out from the left toward a cloud of smoke

I’m very sorry to say that I can’t remember the last time I lived three days in a row without being angry. And usually not just angry. Furious. I bring it on myself, and I’m going to have to keep it up because my work depends on it.

The book I’m writing was birthed in righteous anger. Writing the rage allows me to make meaning from it, maybe even art. But to tell the truth about all that anger, I’ve had to study it. Even wallow in it. And I wonder, as I push on, how much Wrath can writing—good writing—contain? Given all this focus on my own fury, I knew I’d read my co-editor Suzanne’s meditation on Wrath, the penultimate essay in our reprised series, 7 Sins of the Writing Life, in a wholly new way.

When my fiction is inspired by anger, as soon as the story takes hold of me and demands to be written, I rise up and away. The fire can no longer hurt because I experience it as empathy for the character I’ve created. When I worked with Suzanne on this essay ten years ago, that’s how I understood and experienced Wrath in relation to my writing and writing life. But my current work; this outrageous business of writing about my own life… well.

I do not rise. The fire hurts.

“[A]s I think about how Wrath acts—a blind, chaotic, and unstoppable force—it alarms me,” says Suzanne, “that should it go unchecked in our writing lives, it could destroy much more than just our writing.” That alarms me, too. “If we let it, Wrath can steal energy from writing, break professional connections, and destroy nurturing personal relationships in the writing community.” Yes, it can! Shall I tell you how I know that? Another time, perhaps.

But: “Productively using Wrath is like burning the underbrush to prevent a forest fire.”

While my work turns me into a rage-archaeologist, digging around in the dirt of my childhood for the evidence that my Wrath started there (it did, yes), I ask myself how to tame the energy of all that anger, how to avoid stoking it for the sake of the page, how to ensure I keep telling the truth even as I burn. So far, the best answer? Learn from the writers willing to show the way.

Are you writing Wrath? Do you avoid writing Wrath? Take a look at what Suzanne and the writers she consulted have to say about this all-consuming writing-life Sin.

And just for fun, here are my two favorite songs about anger. I took breaks to listen to both as I wrote this post:

Next month, when we publish our final issue of the season, we will complete our essay series with Pride.

May you indulge and enjoy all writing sins forevermore. And may you write well today.

—Claire Guyton

Filed Under: Editor's Notebook

March 1, 2023 By Claire Guyton

From the Editors | Issue #25

March 2023

From the Editors

Time is how you spend your love. —Nick Laird

Often we move too fast to think about how we’re spending our time. So we make ourselves slow down. And we discover how much time we spend in love. With family, friends, the call to write. In love with this, our magazine. Issue #25 puts us into the home stretch of our third year, here at Waterwheel Review. We slow down to savor Caroline Simpson’s ode to aging male mentors, teachers, and fathers, “Old Men Love Me.” Then we sink into Sara Ries Dziekonski’s homage to grandmothers, diners, and good waitressing, “How Simple Steps Become a Dance.” And finally we allow ourselves to be led by Marie Antoinette, in Elizabeth Sylvia’s “Ars Antoinettica,” into a meditation on lucky accidents of birth—another reminder that we are three of the most fortunate women alive, every day doing work we love.

—Claire, Suzanne, Cheryl 


Join Our Growing Community

We’re in our third season here at Waterwheel Review, and we couldn’t be happier. But we have big dreams. Right now we have two ways—in addition to being an author or maker—to be a part of our labor of love.

1. Sign up for our newsletter.

You’ll know when each issue goes live and learn news about WWR and our authors.

*We promise never to sell or share your information. We hate spam as much as you do. For more info, read our full Privacy Policy.

2. Support literature without labels.

All expenses are out of pocket. Any help goes to our submissions manager and media. We would LOVE to one day pay authors, hold contests, speak at conferences… (slow down, deep breath). Thank you for supporting literature and art!

Support WWR

Filed Under: From the Editors

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