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Archives for November 2022

November 1, 2022 By Cheryl Wilder

From the Editors | Issue #21

November 2022

From the Editors

It is better to live in a state of impermanence than in one of finality.—Gaston Bachelard

Issue 21 is in motion. From middle America to the ocean in Benjamin Carson’s unsparing portrait of escape, “Iowa, 1955.” From Munich to Spokane to California in Rebekah Bloyd’s mapped artifacts of a life, “Now Are You.” And from one end of the ballet studio to the other, and along the barre, year after year, in “When We Come to Class,” a love letter to dance by Carol Gremli. Finality, stasis; yes, we know it’s inevitable. But right now the air is brisk and we’re still moving.

—Claire, Suzanne, Cheryl


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Filed Under: From the Editors

November 1, 2022 By Claire Guyton

Editor’s Notebook: Happy Anniversary, Sinners!

Editor’s Notebook: Happy Anniversary, Sinners!

November 2022

abstract painting that resembles a scary face with long nose, big hoolow eye, and snarling teeth in orange and teal colors

Cheryl, Suzanne, and I first came together as a team in 2012, when we co-created the essay series “7 Deadly Sins of the Writing Life” at Hunger Mountain, the literary journal published by the low-residency MFA program we all attended at Vermont College of Fine Arts. Cheryl and Suzanne wanted to explore the ways in which we writers are beset by SIN as we make a writing life. What writer doesn’t struggle with Envy and Sloth? In the context of the writing life, what is Lust, Gluttony, Wrath, Greed? Does Pride inevitably lead to shallow work? I was an editor at Hunger Mountain, looking for creative nonfiction about the writing life, so they pitched their idea for the series, and we got to work. Long, detailed work. Work enriched by email threads that digressed into countless personal anecdotes about the trials and tribulations of our individual writing lives. We responded to each other’s personal stories with empathy, shared our own parallel or contrasting experiences, and offered advice. All the while hammering out thoughtful, creative essays about how to play with the notion of writing-life sin as a way to develop better, more fulfilling writing habits.

At the end of that intense collaboration, we were a bonded writing community of three. That earned faith in each other has sustained our writing lives ever since, and gave birth to this magazine in 2020.

To celebrate our 10th anniversary of that life-changing project, we’re re-publishing the essays in the final 7 months of our third season of Waterwheel Review, each on the first day of the month to coincide with a new issue, from November 2022, through May 2023. I’ll tease them here each month, and you’ll find the essays at our new site, 7sinswriting.com.

Today we’re publishing the introductory essay to the series, and the first SINFUL essay, “Envy.”

Here’s my favorite part from the introduction:

Traditionally, stories about the deadly sins were meant to teach sinners how to travel through a long trial and back to virtue after a fall from grace. So too does a fall from grace exist in the writing life. The difference I see, is that the path back is not one toward virtue, but toward the work of writing.

And here’s my favorite part of “Envy”:

Despite its potential for damage, Envy carries a perk. The sunny side of Envy is that it shines on what we most want, which can be a valuable time-and-sanity-saving device in a writing world so bloated with opportunity to submit, subscribe, post, apply, and enroll. Most of the time I click “like” on Facebook, there’s nothing more to it than that. I like it. But if Envy bites while I click, I want it.

If you’re reading this post, you’re almost certainly a writer. If you’ve ever felt an envious pang at a writer friend’s accomplishment… you’re like every single writer who has ever existed. Likewise every other selfish, sinful impulse that falls under the 7 Deadly umbrella of dark thoughts and deeds. Welcome.

May you indulge and enjoy all writing sins forevermore. And may you write well today.

—Claire Guyton

Filed Under: Editor's Notebook

November 1, 2022 By Cheryl Wilder

Who made it? | Issue #21

Who made it?

November 2022 | Issue # 21

With ” Iowa, 1955″ by Benjamin Carson

“Exploring the underwater world through sculpture” by Jason Taylor.
woman with red hair and a stern look on her face stands in a wheat field holding a coiled row of wheat like it's a blanket
“Untitled” by Oprisco Photography.

With “Now Are You” by Rebekah Bloyd

“Malagueña” by Soledad Bravo.
psychedelic painting that explore human perception and the vibrant complexity of the natural world. To build his collage-based works, he gathers a multitude of images from field guides, nature books and other sources, and assembles them into pulsating figures and geometric patterns
Fungi and Flowers, 2002, 48 x 36 in., mixed media and resin on wood panel, by Fred Tomaselli.

With “When We Come to Class” by Carol Gremli

“Suzelle Poole, age 80.”
Terpsichore, Muse of Music and ballet, an oil on canvas painting (1739) of woman holding a lyre and pen wearing a white dress
Terpsichore, Muse of Music and Ballet, 1739, an oil on canvas painting by Jean-Marc Nattier.

Acknowledgments

Background photo of hayloft by Pezibear via Pixabay.

Background photo of wildfire at Lick Creek, Umatilla National Forest, Oregon, United States via wikicommons.

Background photo of pointe shoes by Jessica via Running with Scissors.

Filed Under: Who made it?

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