Dear Readers,

When we launched Waterwheel Review, we were keen to explain why we were so moved and motivated by the image of the waterwheel. Water stands for language, an ever flowing, renewable source; the waterwheel, an engine of labor, circles through, lifting words and then dropping them back into the running stream. Our magazine is a mill, we said, where the waterwheel powers writing and publishing. “We want—and need—to make things.”

For a couple of years, now, we have known that we can’t make enough of our own things while we give so much energy to the work of others. We have had to cut substantially the time and attention devoted to our own writing, and mostly we have been glad to do it, determined to find a way to repay our own work in the end. We never did find that way.

If we could quit our jobs and earn that income publishing this magazine, we would take that deal in an instant. But that’s not the world we live in. For many, many months we have known this, but we couldn’t accept it until now. And thank goodness for that.

Every single issue of this magazine has been a wonder that transported and enchanted us. We can’t say we gloried in every moment. We read or edited or built the site at times while sick, exhausted, grieving—that’s the nature of any publication. But we damn well gloried in every word, every paired image and sound.

Four years and thirty-six issues: What an honor to publish our contributors. What a privilege to offer stunning work to our readers. We must use the word pleasure, too, always rolled out to accompany “honor and privilege,” but pleasure isn’t strong enough, nor is gratitude nor joy nor blessing. For once we find ourselves at a loss for words to express precisely what it has meant to keep this waterwheel turning.

Maybe this will do it: How many times does anyone ever fully achieve the glittering, half-glimpsed vision floating above; that winking, flirting piece of art we ache to manifest? For the three of us, precisely this once.

We will keep making things and so will you. We started this magazine with the image of the waterwheel and a Jean Rhys quote, and we will end in the same way, as we thank you for reading and submitting, and wish you and yours all the very best:

Listen to me. All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy and Dostoyevsky. And there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don’t matter. The lake matters. You must keep feeding the lake.

—Claire, Suzanne, Cheryl

September 1, 2024: Waterwheel Review will stay online for the foreseeable future. It remains as it looked for the final June 2024 issue.

Archives for April 2023

April 1, 2023 By Suzanne Farrell Smith

From the Editors | Issue #26

April 2023

From the Editors

Editors Cheryl Wilder, Suzanne Farrell Smith, and Claire Guyton

Spring has arrived with all its blush and promise. By happy accident, we three women of Waterwheel Review get to spend our renewed energy on female vision, power, and connection in Issue #26. Donna Obeid’s “Omnia Vanitas,” one woman’s map to rapture, begins with the eternally good counsel, “Don’t be tricked by the knights. Don’t follow them into the forest.” Anna Citrino’s “Remembering Adella” honors a mother’s legacy of dedication and back-breaking labor, “Every action a prayer of submission to necessary work.” The woman in Elizabeth Bedell’s “The Shawl” mourns her mother, too, as she lives “in the key of grief.” Like a small, spring garden, these pieces. Planted here in celebration of our mothers and sisters.

—Claire, Suzanne, Cheryl

Join Our Growing Community

We’re in our third season here at Waterwheel Review, and we couldn’t be happier. But we have big dreams. Right now we have two ways—in addition to being an author or maker—to be a part of our labor of love.

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2. Support literature without labels.

All expenses are out of pocket. Any help goes to our submissions manager and media. We would LOVE to one day pay authors, hold contests, speak at conferences… (slow down, deep breath). Thank you for supporting literature and art!

April 1, 2023 By Cheryl Wilder

Who made it? Issue #26

Who made it?

April 2023 | Issue #26

With “Omnia Vanitas” by Donna Obeid

“Dance on The Moon” by Aurora.

1800s oil painting of fair-skinned woman with long straight brown hair leaning on her elbow, her other hand resting on a human skull, looking dreamy and contemplative into the distance — Omnia Vanitas, 1848, by William Dyce.

Untitled by MariaD.

With “Remembering Adella” by Anna Citrino

abstract field with rough brush strokes for grass, valleys and hillsides in white, gray, and blue — Embracing the Silence by Wanda Loomis.

early version of Picasso's Woman Ironing; woman with dark brown hair, olive skin, bent over using a flat iron; colors are all tinted with hues of blue — La Repasseuse, 1901, by Pablo Picasso.

With “The Shawl” by Elizabeth Bedell

Chopin Etude in E major Op. 10 no. 3 “Tristesse” by Henrik Kilhamn.

curly blond-headed child in red coat and hat bending over a wall covered in vines with a key to unlock a secret door; book cover of The Secret Garden — Cover: The Secret Garden by Frances Hodgson Burnett. Illustrated by Maria Louise Kirk.

painting of women wearing Kashmiri shawls; colors of the background are earth tones and abstract; women are wearing cream-colored shawls with the same earth tones as the background — Cashmere, 1908, by John Singer Sargent.

Acknowledgments

Field background by BETRuleR via Alpha Coders.