Dear Readers,

When we launched Waterwheel Review, we were keen to explain why we were so moved and motivated by the image of the waterwheel. Water stands for language, an ever flowing, renewable source; the waterwheel, an engine of labor, circles through, lifting words and then dropping them back into the running stream. Our magazine is a mill, we said, where the waterwheel powers writing and publishing. “We want—and need—to make things.”

For a couple of years, now, we have known that we can’t make enough of our own things while we give so much energy to the work of others. We have had to cut substantially the time and attention devoted to our own writing, and mostly we have been glad to do it, determined to find a way to repay our own work in the end. We never did find that way.

If we could quit our jobs and earn that income publishing this magazine, we would take that deal in an instant. But that’s not the world we live in. For many, many months we have known this, but we couldn’t accept it until now. And thank goodness for that.

Every single issue of this magazine has been a wonder that transported and enchanted us. We can’t say we gloried in every moment. We read or edited or built the site at times while sick, exhausted, grieving—that’s the nature of any publication. But we damn well gloried in every word, every paired image and sound.

Four years and thirty-six issues: What an honor to publish our contributors. What a privilege to offer stunning work to our readers. We must use the word pleasure, too, always rolled out to accompany “honor and privilege,” but pleasure isn’t strong enough, nor is gratitude nor joy nor blessing. For once we find ourselves at a loss for words to express precisely what it has meant to keep this waterwheel turning.

Maybe this will do it: How many times does anyone ever fully achieve the glittering, half-glimpsed vision floating above; that winking, flirting piece of art we ache to manifest? For the three of us, precisely this once.

We will keep making things and so will you. We started this magazine with the image of the waterwheel and a Jean Rhys quote, and we will end in the same way, as we thank you for reading and submitting, and wish you and yours all the very best:

Listen to me. All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy and Dostoyevsky. And there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don’t matter. The lake matters. You must keep feeding the lake.

—Claire, Suzanne, Cheryl

September 1, 2024: Waterwheel Review will stay online for the foreseeable future. It remains as it looked for the final June 2024 issue.

Waterwheel Review

Literature Without Labels

By

Editor’s Notebook: Mad and getting madder.  On writing Wrath.

Editor’s Notebook: Mad and getting madder. On writing Wrath.

April 2023

digital art of a stream of fire spitting out from the left toward a cloud of smoke

I’m very sorry to say that I can’t remember the last time I lived three days in a row without being angry. And usually not just angry. Furious. I bring it on myself, and I’m going to have to keep it up because my work depends on it.

The book I’m writing was birthed in righteous anger. Writing the rage allows me to make meaning from it, maybe even art. But to tell the truth about all that anger, I’ve had to study it. Even wallow in it. And I wonder, as I push on, how much Wrath can writing—good writing—contain? Given all this focus on my own fury, I knew I’d read my co-editor Suzanne’s meditation on Wrath, the penultimate essay in our reprised series, 7 Sins of the Writing Life, in a wholly new way.

When my fiction is inspired by anger, as soon as the story takes hold of me and demands to be written, I rise up and away. The fire can no longer hurt because I experience it as empathy for the character I’ve created. When I worked with Suzanne on this essay ten years ago, that’s how I understood and experienced Wrath in relation to my writing and writing life. But my current work; this outrageous business of writing about my own life… well.

I do not rise. The fire hurts.

“[A]s I think about how Wrath acts—a blind, chaotic, and unstoppable force—it alarms me,” says Suzanne, “that should it go unchecked in our writing lives, it could destroy much more than just our writing.” That alarms me, too. “If we let it, Wrath can steal energy from writing, break professional connections, and destroy nurturing personal relationships in the writing community.” Yes, it can! Shall I tell you how I know that? Another time, perhaps.

But: “Productively using Wrath is like burning the underbrush to prevent a forest fire.”

While my work turns me into a rage-archaeologist, digging around in the dirt of my childhood for the evidence that my Wrath started there (it did, yes), I ask myself how to tame the energy of all that anger, how to avoid stoking it for the sake of the page, how to ensure I keep telling the truth even as I burn. So far, the best answer? Learn from the writers willing to show the way.

Are you writing Wrath? Do you avoid writing Wrath? Take a look at what Suzanne and the writers she consulted have to say about this all-consuming writing-life Sin.

And just for fun, here are my two favorite songs about anger. I took breaks to listen to both as I wrote this post:

Next month, when we publish our final issue of the season, we will complete our essay series with Pride.

May you indulge and enjoy all writing sins forevermore. And may you write well today.

—Claire Guyton